Thinking Activity:A Dance of the Forest

Hello Readers

I am Daya Vaghani, Student of the Department of English,MKBU.As a part of syllabus we are studying the paper on African Literature.This task is assigned by Yesha Ma’am as a part of thinking activity.In this blog I am going to write about the African play ‘A Dance of the Forests’ by Wole Soyinka .Let's begin with author’s introduction.

Wole Soyinka

Nigerian playwright and political activist Wole Soyinka received the Nobel Prize for Literature in 1986. He was born in 1934 in Abeokuta, near Ibadan, into a Yoruba family and studied at University College in Ibadan, Nigeria, and the University of Leeds, England. Soyinka, who writes in English, is the author of five memoirs, including Aké: the Years of Childhood (1981) and You Must Set Forth at Dawn: A Memoir (2006), the novels The Interpreters (1965) and Season of Anomy (1973), and 19 plays shaped by a diverse range of influences, including avant-garde traditions, politics, and African myth.

Soyinka’s poetry similarly draws on Yoruba myths, his life as an exile and in prison, and politics. His collections of poetry include Idanre and Other Poems (1967), Poems from Prison (1969, republished as A Shuttle in the Crypt in 1972), Ogun Abibiman (1976), Mandela’s Earth and Other Poems (1988), and Selected Poems (2001).

An outspoken opponent of oppression and tyranny worldwide and a critic of the political situation in Nigeria, Soyinka has lived in exile on several occasions. During the Nigerian civil war in the 1960s, he was held as a prisoner in solitary confinement after being charged with conspiring with the Biafrans. In 1997, while in exile, he was tried for, convicted of, and sentenced to death for antimilitary activities, a sentence that was later lifted.

Soyinka has taught at a number of universities worldwide, among them Ife University, Cambridge University, Yale University, and Emory University.

A Dance of the Forests

A Dance of the Forests is one of the most recognized of Wole Soyinka's plays. The play "was presented at the Nigerian Independence celebrations in 1960, it ... denigrated the glorious African past and warned Nigerians and all Africans that their energies henceforth should be spent trying to avoid repeating the mistakes that have already been made." At the time of its release, it was an iconoclastic work that angered many of the elite in Soyinka's native Nigeria. Politicians were particularly incensed at his prescient portrayal of post-colonial Nigerian politics as aimless and corrupt. Despite the deluge of criticism, the play remains an influential work. In it, Soyinka espouses a unique vision for a new Africa, one that is able to forge a new identity free from the influence of European imperialism.

A Dance of the Forests is regarded as Soyinka's theatrical debut and has been considered the most complex and difficult to understand of his plays. In it, Soyinka unveils the rotten aspects of society and demonstrates that the past is no better than the present when it comes to the seamy side of life. He lays bare the fabric of the Nigerian society and warns people as they are on the brink of a new stage in their history: independence.(Wikipedia)

Major themes - A Dance of the Forests

The Past

The play does not follow an exactly linear structure, in spite of the fact that it all takes place in the course of a day. As we learn rather quickly, the narrative concerns the sins of the past, and each mortal character has multiple identities, representing both who they are in the present as well as who they once were in the past. The present is layered onto the past as if to suggest that nothing from our history is ever fully gone, that we descend from patterns and events that precede us and continue to affect us in the present. The plot of the play concerns the ways that human beings must overcome their pasts and learn from them.

Atonement

The play's central theme is atonement. The Dead Man and Dead Woman are brought back to life in order for the four mortals who mistreated them in the past to realise and atone for their wrongdoings. While the mortals are clueless for much of the play, they finally learn that the Dead Man and Dead Woman's visitation is to teach them a lesson, and by the end, they have experienced a form of conversion, realising that they had sinned before.

Corrupted power

Corrupted power is another major theme in the play, particularly as it represented in the characters of Mata Kharibu and Madame Tortoise. As we are taken back to the palace of the king, we see that Madame Tortoise exploits her beauty and her power over men in order to stir up discord. Mata Kharibu is also corrupted by his immense power, as demonstrated by the fact that he is demanding that his soldiers fight against their better judgment, and the fact that he mercilessly punishes free thinking. Wole Soyinka tells a story that reveals to the reader that all power is corruptible, and that just because people are given authority does not mean that they are good or ethical people.

Nature

The play takes place in a forest, and throughout, various elements of the natural world come to life to take part in the reckoning that is taking place with the mortals. The Forest Head is a spirit who presides over the forest, and during the welcoming of the Dead Man and Dead Woman, various spirits of different natural elements are called upon to speak their piece. These include Spirit of the Rivers, Spirit of the Palms, Spirits of the Volcanos, and others. All of these elements of nature are personified through verse, showing us the connection between the human and the natural world.

Birth

One of the unresolved features of the Dead Woman is the fact that she was killed while pregnant with a child. She returns to the world of the living still with a pregnant belly, and during the welcome ritual, the fetus appears as a Half-Child, who is caught between being influenced by the spirit world and remaining with his mother. The Half-Child is a tragic figure, as he was never given the relief of life, and when he is given a chance to speak he says, "I who yet await a mother/Feel this dread/Feel this dread,/I who flee from womb/To branded womb cry it now/I'll be born dead/I'll be born dead." The figure of the child is a tragic one, standing in as the ultimate symbol for the wrongs done to the Dead Man and Dead Woman, and the unresolvedness of their plight.

Ritual

Another major theme, as well as a formal element of the play, is ritual and tradition. Throughout, we see the characters going through traditional motions in order to understand more about their circumstances. These rituals include the ceremony for the self-discovery of the mortals, in which the mortals must relive their crimes, the Dead Man and Dead Woman must be questioned, and the mortals revealing their secret wrongs.

Another ritual that gets performed is the Dance of Welcome, in which the spirits of the forest perform and deliver monologues. Then the Dance of the Half-Child determines with whom the unborn child will go. Often, rituals, dances, and formal representations stand-in for literal events. Indeed, the entire play can be seen as stringing together the different formalized rituals that make up the narrative.

Wounds Trauma 

People sometimes suffer from their traumatic pasts. As all characters who are roaming in the forest have their traumatic experiences. Obaneji knows all these things and he wants that they all can accept their deeds and atonement for it. In the forest Obaneji also asks all about their past and what they have done. Demoke told his story and Rola and Obaneji helped him to move on. The other example is of the dead man & woman who had a terrible end of their life. Their wounds were not filled but they faced a lot of trouble and trauma because they opposed the king.  (From Gradesaver)

But in the end, the dead man & woman didn't get justice and the wish of Aroni remained incomplete. The play is very interesting and complex. But overall the play wants to teach us that we should always learn from the past, don't use power on those who are powerless, and learn to move on from the past events. 

Thank You.